Mar 2022 – Jan 2025 · 2 yrs 10 mos · Remote

• Executive Produced, Development Produced, and Produced a $50m slate of films and TV series.
• Adapted the leading Games business model for the Film and TV industry creating a first of its kind platform.
• Lead Marketing, Strategy Development, GTM, and production pipeline assisted in partnership conversations.
• Collaborated with some of the leading Hollywood production companies to create engaging Documentary and Scripted Content.
• Managed projects remotely, ensuring seamless coordination and successful delivery.

Jan 2011 – Mar 2022 · 11 yrs 2 mos · London

• Inception/creative:
• On most of the project I’ve worked I’ve either been involved in or lead the
• creative process putting together storyboards and scripts, getting client
• sign off, and covering off potential risks in subject matter.
• I love a challenge in this stage, the google project was this in a nutshell;
• They needed a series of educational video content pieces to be built into in
• house hardware, so not only did we need to sign off artwork and scripts
• that were technical in nature but we also needed to plan the storyboard
• flow based on different options within the hardware across different sites.
• Production and shooting:
• I’ve run sets and crews in excess of 30 people, managed and facilitated the
• smooth workflow of creatives and managed on screen talent. In this stage I
• rely on team briefings and shot lists to cover off issues and keep the team
• on track.
• Shooting a series of short films for The British Transport Police I produced
• and directed 3 5 minute films during one over night shoot. Moving across 2
• locations including shooting on a train in kings cross station. Before hand
• shooting permits had to be in place to ensure access. On screen talent
• also needed to be transported to and from location and specific VFX
• challenges planned for post production needed to be carefully captured.
• Post Production:
• I’ve often carried out the full post production process on my work, signing
• off creative licences I’ve got a thorough working knowledge of Premier Pro
• and a couple of other edit suites. I’ve also got a great deal of experience
• working with 4K+ HD workflow from cinematic cameras such as RED and
• Arri.
• During the Playstation shoot not only was I on site Producing the piece but
• also managing the collection and storage of the footage from the Arri
• codex. I then performed the edit delivered in multiple time target cuts in
• different ratios for delivery on different platforms. The final edit required
• basic VFX and compositing and a high end colour grade.