Feb 2024 – Mar 2025 · 1 yr 1 mo

• As a Freelance 3D Artist, I have worked on various projects, creating and optimizing game-ready assets for both AAA and indie games. My focus has been on delivering high-quality models while maintaining technical efficiency.
• 3D Modeling & Texturing – Created detailed, high-quality props and environment assets.
• Optimization – Ensured assets followed optimal topology, UV unwrapping, and PBR texturing for seamless integration into game engines.

Mar 2023 – Feb 2024 · 11 mos

• I worked as an Environment / Prop Artist at Rope Studios from March 2023 to February 2024, creating high-quality 3D PBR assets for games and real-time platforms. My role involved modeling High-Poly, Low-Poly, and Mid-Poly hard surface assets while refining textures, lighting, and materials to enhance visual quality.
• Managing multiple projects, I maintained efficiency and attention to detail, meeting deadlines while ensuring assets were both visually appealing and technically optimized. Collaborating with designers and artists, I contributed to building immersive and realistic environments, staying committed to quality and creativity throughout my tenure.

Sep 2022 – Mar 2023 · 6 mos · Banglore

• At Technicolor Games, working as a 3D Artist was a transformative experience that pushed my skills to a whole new level. Being part of AAA game projects, I had the opportunity to create high-quality environment props, weapons, and architectural assets, each demanding a high level of detail and realism. From sculpting in ZBrush to texturing in Substance Painter, I refined my expertise in PBR workflows to match next-gen industry standards.
• One of the biggest takeaways from my time at Technicolor was the emphasis on collaboration and efficiency. Working closely with lead artists and designers, I gained deep insights into optimizing game assets, refining the environment art pipeline, and ensuring assets were both visually stunning and performance-friendly. Integrating assets into Unreal Engine 5 further strengthened my understanding of real-time rendering and next-gen workflows.
• Beyond the technical skills, this role shaped my approach to problem-solving and adapting to industry expectations. Every project brought new challenges—whether it was creating intricate hard-surface models, organic foliage assets, or fine-tuning materials for the perfect in-game look. This experience not only expanded my skill set but also gave me a sharper eye for detail, efficiency, and quality, setting a strong foundation for my future in AAA game development.

Apr 2021 – Aug 2022 · 1 yr 4 mos · Mumbai, Maharashtra, India

• At Adnet Global, I worked on both modeling and texturing for games and films. I created and textured a variety of assets, including food items, fabrics, metals, props, vehicles, furniture, and weapons, ensuring they met production quality standards. I followed the PBR workflow using Substance Painter and Photoshop for texturing and used Maya for modeling. Collaborating closely with leads and supervisors, I handled feedback and revisions, optimizing assets for better performance while maintaining high visual quality.

Apr 2018 – Feb 2022 · 3 yrs 10 mos · Gurugram · On-site

• During my time at Lakshya Digital (April 2018 - March 2020), I worked on game-ready assets for various projects, focusing on modeling, texturing, and optimization. I ensured assets met both artistic and technical requirements while maintaining high-quality standards.
• I collaborated closely with the team to optimize UV layouts, bake high-to-low poly details, and refine materials for efficient rendering. This experience helped me develop strong technical and teamwork skills, preparing me for larger and more complex game projects.